Archive for category: Borchgrevink’s Hut

Century-old Fruitcake

August 10, 2017 - , , ,

Antarctic Heritage Trust conservators found a 100 year old fruit cake among the artefacts from Cape Adare.

Made by Huntley & Palmers, the fruit cake is still wrapped in paper and encased in the remains of a tin-plated iron alloy tin. The cake probably dates to the Cape Adare-based Northern Party of Scott’s Terra Nova expedition (1910 – 1913) as it has been documented that Scott took this particular brand of cake with him at that time. Although the tin was in poor condition, the cake itself looked and smelt (almost) edible.

Fruit cake after conservation treatment.Antarctic Heritage Trust

Fruit cake after conservation treatment.

Conservation treatment involved rust removal, chemical stabilisation and coating of the tin remnants. Deacidification of the tin label and some physical repair to the torn paper wrapper and tin label was also carried out. The cake itself was in excellent condition. Programme Manager-Artefacts Lizzie Meek said “With just two weeks to go on the conservation of the Cape Adare artefacts, finding such a perfectly preserved fruitcake in amongst the last handful of unidentified and severely corroded tins was quite a surprise. It’s an ideal high-energy food for Antarctic conditions, and is still a favourite item on modern trips to the Ice.”

Huntley and Palmer's fruit cake in wrapper.Antarctic Heritage Trust

Huntley and Palmer’s fruit cake in wrapper.

Fruit cake found at Cape Adare thought to be from Scott's Northern Party (1911).Antarctic Heritage Trust

Fruit cake found at Cape Adare thought to be from Scott’s Northern Party (1911).

Since May 2016, a team of four conservators have been working in the Canterbury Museum lab on the conservation of Antarctic artefacts from Cape Adare. The team recently finished the large project in July this year, conserving almost 1500 artefacts. The Trust is now planning to begin the conservation work on the buildings at Cape Adare. The huts were built by Norwegian Carsten Borchgrevink’s expedition in 1899 and later used by Captain Scott’s party in 1911. The buildings were the first in Antarctica and are the only examples left of humanity’s first building on any continent. The permit the Trust was granted to collect the artefacts stipulates that all of the items must be returned to the site following conservation, in accordance with the site’s status as an Antarctic Specially Protected Area (ASPA). This will happen once the huts themselves have been restored. The Trust is very grateful for the support it receives from its funders, Norwegian Government, Canterbury Museum for its facilities and logistical support from Antarctica New Zealand to get the artefacts out of and back to Cape Adare. Check out the Huntley and Palmers online archive.

Dr Edward Wilson Watercolour

June 12, 2017 - , , ,

 

New Zealand Antarctic Heritage Trust has discovered an almost perfectly preserved 118 year old watercolour painting among penguin-excrement, dust and mould covered papers found in an historic hut at Cape Adare, Antarctica.

 

Canterbury Museum

The water colour was painted by Dr Edward Wilson who died with Captain Robert Falcon Scott and three others on their return from the South Pole in 1912.

 

Dr Edward WilsonCanterbury Museum

Dr Edward Wilson

“I opened it and there was this gorgeous painting… I got such a fright that I jumped and shut the portfolio again. I then took the painting out and couldn’t stop looking at it – the colours, the vibrancy, it is such a beautiful piece of work. I couldn’t believe it was there.” The painting is labelled ‘1899 Tree Creeper’ and has the initial ‘T’ on it. It depicts a Tree Creeper bird specimen. The discovery was made in September 2016, but has been kept confidential until now to enable the team to focus on restoring all of the 1,500 artefacts from Cape Adare.

 

Antarctic Heritage Trust

 

Antarctic Heritage Trust

The Trust’s Programme Manager – Artefact Conservation, Lizzie Meek says it wasn’t immediately clear who the artist was given that two expeditions had based themselves at Cape Adare. “The Cape Adare huts were built by Norwegian Carsten Borchgrevink’s expedition in 1899 and later used by Captain Scott’s party in 1911. We knew the artist was likely to be among the men on those expeditions,” says Lizzie.

 

Borchgrevink’s hut at Cape Adare is built amongst a colony of over 400,000 breeding pairs of Adelie penguins.Antarctic Heritage Trust

Borchgrevink’s hut at Cape Adare is built amongst a colony of over 400,000 breeding pairs of Adelie penguins.

As the Trust was working to identify the artist, Josefin attended a lecture at Canterbury University on Dr Wilson. “The presenter showed some of Dr Wilson’s artwork… as soon as I saw his distinctive handwriting, I knew he had painted the Tree Creeper. This made sense as there was also a 1911 newspaper article from the Lyttelton Times in the papers and Scott’s party went to Antarctica via New Zealand.”

 

Antarctic Heritage Trust

Lizzie Meek says Dr Wilson was a remarkable man. “He was not only a talented painter, but a scientist and a medical doctor who was an integral member of both of Scott’s expeditions to the Ice.” Josefin is not surprised the painting survived in such excellent condition. “Water colour paintings are particularly susceptible to light so the fact this work has spent more than a hundred years tightly packed between other sheets of paper in completely dark and cold conditions is actually an ideal way to store it.” Lizzie Meek says how the painting came to be in the hut is still something of a mystery. “It’s likely that Wilson painted it while he was recovering from tuberculosis in Europe. Clearly, he could have taken the painting to Antarctica on either of Scott’s expeditions but we think it’s more likely the artwork travelled with him in 1911, and somehow made its way from Cape Evans to Cape Adare.”

 

Antarctic Heritage Trust

The permit the Trust was granted to collect the artefacts stipulates that all of the items must be returned to the site following conservation, in accordance with the site’s status as an Antarctic Specially Protected Area (ASPA). This will happen once the huts themselves have been restored. The Trust’s General Manager Operations and Communications, Francesca Eathorne says finding the painting is a poignant reminder of the inspiring legacy the early polar explorers left behind. “More than a century later we are still sharing stories about those expeditions. We’ve been able to create a high quality facsimile of the painting so we are now looking forward to sharing it with the rest of the world. We are in no doubt this will attract global interest – particularly from our friends in the UK.” Visit Cheltenham’s art gallery and museum The Wilson: www.cheltenhammuseum.org.uk

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